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 |  EXCLUSIVE INTERVIEW: Eric Balfour of "The Texas Chainsaw Massacre"
 POSTED ON 10/14/03 AT 11:00 A.M.
 BY ETHAN AAMES
                        
                  Exclusive Interview by Thomas Chau in New York CityWhile his name isn’t immediately recognizable, you’ve
 probably recognized that face either from the HBO series
 “Six Feet Under,” “24” with Kiefer Sutherland, or simply
 that guy who Punk’d Jessica Biel. But get used to it,
 for Eric Balfour is a fresh new face in the Hollywood
 scene. Balfour has a major upcoming television series
 executive produced by Jerry Bruckheimer called
 “Fearless” in which he stars opposite Rachel Leigh Cook,
 a female FBI agent who is born without the gene for
 fear.
 But before we see Eric in that, you can catch in him in
 “The Texas Chainsaw Massacre,” opening October 17th. I
 had the chance to sit down with Eric one-on-one to talk
 about Leatherface, “Fearless,” and something about a
 French prostitute?
 TOM: You’re known to some people for “Six Feet Under”
 and you’re known to some people for “24”…but is it weird
 to also be known as the guy who played Satan in a
 minivan commercial?
 ERIC: I guess. Most people who I encounter know me from
 “Six Feet Under” or “24.” I guess there’s the occasional
 commercial person.
 TOM: But it sticks out in people’s minds…
 ERIC: I guess that’s good!
 TOM: So why did you decide to do a remake of “The Texas
 Chainsaw Massacre”?
 ERIC: It was never something in my mind that I thought I
 wanted to do, or that I necessarily thought doing a
 remake of this movie was a good idea. What it really
 was, was that I read the script and it had really good
 three-dimensional characters. It wasn’t like the first
 one where it was sort of annoying almost. They were
 well-developed, the story was good, and it stayed true
 to the original but it was its own piece. And then, you
 meet [Director] Marcus [Nispel] and see what he can do
 visually. That was what intrigued me the most. Nobody
 has made a horror film look the way he could in a long
 time. He was really dedicated to making it look
 beautiful and make it look interesting. I guess David
 Fincher did it with “Se7en” and that’s the closest thing
 I can think of.
 TOM: What were the conditions like shooting in a van in
 Texas during the summer?
 ERIC: It was hot. It was hard. It was 100 degrees
 everyday, 100% humidity. It was 140 in the van with all
 of us and the lights. But it kind of added to the whole
 thing cause it certainly made it more real.
 TOM: Did you build some kind of camaraderie with the
 cast?
 ERIC: It was hands down the best cast I’ve ever worked
 with. I’m not saying that they’re better actors than
 anyone else I’ve worked with. I’ve worked with some very
 amazing people. But we still hangout every week. We’re
 all friends.
 TOM: Well I guess you had to have a good bond with
 Jessica because I saw the “Punk’d” episode where you
 “punk” her maybe 5 million times on MTV over the summer.
 How did that come about?
 ERIC: They “punk’d” me on the red carpet with that
 little kid Ryan [Pinkston]…
 TOM: What did he say to you?
 ERIC: I don’t remember but he was giving me shit. Ryan’s
 a funny little fucker. Ashton [Kutcher] calls me and he
 says, “Say, do you want to punk somebody?” I’m like, “Oh
 wait, I want to punk Jess!” I actually had to lie to her
 and tell her that I needed her help with a charity that
 I work with. And she’s like, “I’ll help you do anything
 you want.” And she meant it. She would help me do
 anything she wanted me to do.
 TOM: What are your favorite horror movies of all-time?
 ERIC: “The Exorcist” is hands down my favorite. I
 thought it was a beautiful film – the way it was shot,
 the music. What I loved about “Poltergeist” was that it
 was funny in a lot of ways. Craig T. Nelson was very
 funny and the humor didn’t come out of jokes. It came
 out of a real-life comedy. It’s like when people laugh
 at funerals. Obviously, funerals aren’t funny but it’s
 the only way you can get through this stuff sometimes.
 “The Shining” is a great one.
 TOM: So you probably think that the recent trend of “Who
 Dunnit” teen slasher flicks suck…
 ERIC: I like the classic horror films that were good
 versus evil and that were truly dark films. All the
 other ones from the last 10 years has too much of a
 “wink wink,” everyone-is-in-on-the-joke type of thing.
 They poke fun of the genre but it was fun the first
 time. They’re all so aware of themselves now. What’s the
 point?
 TOM: How did you feel when you first saw the scene where
 Leatherface wears your face?
 ERIC: The first time I saw that freaking mask, it only
 confirmed that I looked as goofy as I thought I was.
 [Executive Producer] Brad Fuller actually has that mask
 sitting in a glass case in his office. But it was a
 little uncomfortable.
 TOM: Well, we saw New Line put Freddy up against Jason.
 How do you think Leatherface would fair against them?
 ERIC: Well I think Jason is a retard. I never dug him.
 He never did it for me. Freddy always had a little
 flavor to him. I got to give him credit for that. I
 would have to go with Freddy. Freddy could take
 Leatherface. But I think Leatherface could definitely
 take Jason.
 TOM: Can you talk about your band Fredalba? I read
 somewhere you named your band after a French prostitute?
 What’s the story behind that?
 ERIC: She stole a bunch of money from us. It’s kind of a
 long stupid story but we were in Paris and ran out of
 French franks and all we had was U.S. dollars. No cab
 would take our money. They’re not the most helpful
 people. We couldn’t get back to the apartment we were
 staying at because it was all the way across the city
 and it would’ve taken us all night to get back. So we’re
 hanging out in a sort of red light district and we
 started talking to this girl on the corner, who turns
 out to be a prostitute. So we’re chatting it up and
 someone asks, “Hey do you have franks on you? How do you
 feel about us giving you U.S. money for franks, and
 we’ll give you an extra 20 bucks?” Nobody was paying
 attention and we gave her 100 U.S. dollars for 100
 franks and the exchange rate was five-to-one at that
 time so we got took for about 80 bucks.
 TOM: Who are your musical influences and favorite CDs?
 ERIC: Prince’s “Purple Rain.” Anything by Stevie Wonder.
 I love the Red Hot Chilli Peppers. I love the new
 Outkast album, I think it’s really good. I like N.E.R.D.
 a lot.
 TOM: And can you talk about your show “Fearless.” It’s
 being pushed to mid-season?
 ERIC: It’s being pushed to mid-season. It basically came
 down to the fact that Jerry Bruckheimer wasn’t happy
 with the direction the writers was taking the show so
 they needed to step back and figure it out.
 TOM: You shot the pilot already. Are you scheduled to
 shoot more episodes later?
 ERIC: Yeah, they’re still trying to figure some things
 out.
 TOM: What’s your role and relationship to Rachel Leigh
 Cook?
 ERIC: Rachel and I are partners and we both work for the
 same unit of the F.B.I.
 TOM: They brought back your character, even though he’s
 dead, on “Six Feet Under.” Is it a possibility that
 they’ll bring you back again?
 ERIC: (slyly) Yeah it’s a possibility.
 TOM: Is that being kept underwraps?
 ERIC: Yep.
 
 Modern-dayMcGarretts
 Frequent isle visits help Balfour
 develop his "Hawaii" character
         Stories by Tim Ryantryan@starbulletin.com       ERIC BALFOUR       If you didn't know Eric Balfour was starring
                  in a network television        series, you might not guess he's an actor, even while hanging around
                  him        during filming.            
                  Location: Hawaii                        
                  'Hawaii': Premieres at 7 p.m. Sept. 1 on NBC             'Lost':
                  Premieres at 7 p.m. Sept. 22 on ABC       On a recent hot and humid afternoon in Waimanalo, there
                  was Balfour, 27,        in a tank top, shorts and boots, sitting on a rustic picnic table, talking
                         story with several local actors, crew members and extras.      
                  When he excuses himself with an "I'll be right back," his companions look        as if the co-star
                  of "Texas Chain Saw Massacre," HBO's "Six Feet Under,"        "24" and lead singer of the band
                  Fredalba has probably ditched them. But        that's not Balfour's style. If the 6-foot-2 surfing
                  and basketball playing        actor is leaving, he doesn't sneak away.      
                  "If I'm bored by something or someone or early on in relationships if I        don't think there's
                  a future, I don't stick around," Balfour says. "But I        do make my feelings known."      
                  A minute later, Balfour is back carrying a half-dozen bottles of water        that he hands around.
                  "Now, where were we?" he says. "Oh, yeah ..."       Balfour is half of a crime-fighting duo in
                  the NBC police drama "Hawaii,"        which premieres Sept. 1. He plays Hawaii-raised Chris Gaines,
                  a brash        detective, partnered with Ivan Sergei ("Crossing Jordan") as Danny       
                  Edwards. The show also stars Aya Sumika, Cary-Hiroyuki Tagawa, Michael        Biehn and Sharif
                  Atkin.       Balfour is a frequent Hawaii visitor, coming here to visit an uncle living       
                  on Maui or to surf, a sport he learned while growing up in Southern        California.      
                  "I would never be so presumptuous to say I understand what it's like to        live here, but
                  I do have an advantage over those who have never been,"        Balfour said. "I think that helps
                  my character in 'Hawaii.'"       The actor began his career at 15 when he joined the cast of "Kids
                         Incorporated," a TV series about a group of musically gifted youngsters.       
                  The following year, he landed a regular role on the TV series "Arresting        Behavior." From
                  there his career took off, with appearances on several        episodes of "Dr. Quinn, Medicine
                  Woman," followed by guest shots on other        prime-time shows: "Step by Step," "Boy Meets World,"
                  "Buffy the Vampire        Slayer," "Clueless," "Dawson's Creek," "Nash Bridges," "NYPD Blue,       
                  "Chicago Hope" and "The West Wing."       As a teen, hanging around all the adults on sets made
                  him a bit        precocious, which some of his teachers failed to appreciate. He won't say       
                  which Burbank high school he attended.       "My biggest problem was trying to relate to my teachers
                  on a peer level,        which, in hindsight, was wrong. I never, ever disrespected them, but I
                         didn't blindly accept other people's opinions.       "I wanted
                  to have conversations like I had with people at work, and that        didn't go over that well
                  with some teachers."       Balfour says his parents were free spirits, "hippies." The family lived
                         for a time at the Escalen Institute in Big Sur, where his mother taught.      
                  Balfour missed a lot of school due to work. By his own estimate, he was        absent 90 days
                  in one semester.       "I started writing my own absent excuse notes: 'Eric was absent from       
                  school because he was working. (signed) Eric,'" he said. "In my senior        year they tried
                  to kick me out because they said I wasn't on the premises        enough, though I had a 4.0 GPA."      
                  But acting had Balfour in its grip. He's so passionate about it that when        he sounds childlike
                  in describing his experiences.       "At 15, I started taking acting lessons because I really
                  wanted to learn.        I discovered that you don't have to create a character that is necessarily
                         you.       "There's a difference between character and characteristics.
                  The character        is defined on the page. Characteristics come from inside you, and that's
                         what you bring to it."       His favorite actors are "those
                  who bring the truth in themselves to the        characters they play, their own experiences into
                  their characters. I think        an actor's job is to study life," he said.      
                  Balfour leans back on his stool and laughs. "I really do not take myself        so seriously."      
                  IF THE PILOT is any indication, the Balfour-Sergei buddy relationship        could become one
                  of the best duos on TV this season. These are two young        cops who know what's right and,
                  in their minds, the best way to deal with        bad guys, which is not necessarily the Honolulu
                  Police Department's -- or        any other department's -- standard operating procedure.      
                  "We struggled in the beginning to find the balance between reality and        theater," Balfour
                  said. "We want to be fun and have lots of action ... but        at the same time I struggle to
                  do truthful, honest, creative work. I don't        want to be just a cop or fall into a formula
                  of a character."       He credits "Hawaii's" creator and executive producer Jeff Eastin with       
                  allowing the actors to help create the back-stories of their characters.       "I suggested Gaines
                  is from Hawaii, and Jeff liked that," Balfour said.        "It creates a persona where I have
                  an understanding of the island, and        some of the criminals can be some guys Gaines grew
                  up with or is friends        with now.       "You have to create something
                  you want to play."       That includes creating humor from situations the officers face. "When
                         writers write a joke, you immediately think, 'Oh, that sounds like a       
                  joke.' Life is funny and life is tragic, and often they intertwine. In        facing death, you
                  face life; in great tragedy there is great comedy."       Gaines and Edwards are friends but not
                  always kind to one another, and the        audience can never be sure what they are going to do,
                  whereas the        characters portrayed by Biehn and Atkins are more mature, their drama       
                  straightforward, even comforting.       "Ivan and I have created this great dynamic where we bust
                  each other's        balls and give each other a hard time," Balfour said. "But we still       
                  maintain that these are real cops. The minute people don't believe it's        for real, then
                  it doesn't go anywhere."       Who is Gaines in Balfour's eyes?      
                  "A guy who started out down the wrong road. He grew up a screw-up,        involved in gangs and
                  drugs, no direction. But he finally found that the        only way to help his family and community
                  was to become a police officer.        He's got a chip on his shoulder, can be an antagonist,
                  but has great        respect for the rules of his job."       That
                  makes for an interesting juxtaposition with Edwards, who, Balfour        says, has "no respect
                  for political correctness and procedure, is an        angry, brash, sullen guy."      
                  What both characters have in common is their existential approach to        police policy.      
                  "They believe the ends justify the means, and that makes the show fun. I        don't think there
                  should be a limit for them when they want to do the        right thing for the greatest good.
                  If you have to sign a judge's name to a        warrant because it's a weekend and you need it
                  now, you gotta do it."       Balfour loves Hawaii and spends much of his free time surfing, but
                  he        misses friends and family.       "After being here a month
                  and understanding how long 'Hawaii' could stay        on the air, these feelings are harder than
                  I thought. I don't know how        long I would stay with the show if it's a hit. I can see a
                  few years. I've        never been good at staying in one place for very long.      
                  "This is a stop along the way for me."       Television work is a means to an artistic end for
                  Balfour.       "I'm a perfectionist and TV doesn't allow for that," he said. "It's a       
                  compromise and I'm not good at compromise."       He hopes "Hawaii" will give him enough financial
                  security so that he can        pick and choose films to work on.      
                  In the meantime he plans to buy a home here if "Hawaii" gets a second        season; dates but
                  nothing serious; writes music; and is never far from his        iPod.      
                  IT'S NEAR MIDNIGHT in Waikiki when Balfour and his uncle finish night        surfing under a full
                  moon at Queen's Surf. They forgot a cell phone, so        they stop a couple of teenage girls
                  to ask if they could use theirs. One        of the girls recognizes the actor and is so excited
                  all she can say is,        "You're Eric Balfour, you're Eric Balfour!"      
                  Balfour is polite and gracious.       "I'm always surprised by how an actor can affect someone,
                  and it is        flattering," he said. "It's fans who keep your career viable. I never       
                  forget that.       "No one should go into a high-profile business if they want to remain       
                  anonymous."       Then Balfour quotes one of his favorite actors, Tom Hanks: "Celebrity only       
                  allows you to be more of who you already are. If you're a little bit of an        a--hole to begin
                  with, then celebrity gives you free rein to be a bigger        a--hole. But if you're a good person
                  to begin with ..."       The next afternoon, back on the set, a smiling Balfour stares at the
                         emerald cliffs rising dramatically behind Waimanalo.      
                  "Man, I could be digging ditches or laying roofing," he says, shaking his        head. "This is
                  a good gig, a really good gig."
                  
 *********************************************  Sexy Stylist Spills His Secrets originally published October 4, 2005
             Sexy Stylist Spills His Secretsby Matt Webb Mitovich
                   Eric Balfour
 Eric Balfour, whose TV résumé includes intense arcs
                  on 24 and Six
 Feet Under, is finally getting to lighten
                  up. On UPN's Sex, Love &
 Secrets (airing Tuesdays
                  at 9 pm/ET), he's playing Charlie, a player
 who aims
                  to do for hairstyling what Cheers' Sam Malone did for
 barkeeping — a game plan that even TVGuide.com didn't deem plausible
 until the actor stumped us good.
 TVGuide.com: You're
                  playing a straight, womanizing hairdresser. Do
 you
                  really expect people to buy into that?
 Eric Balfour:
                  Yeah, didn't you ever see Shampoo?
 TVGuide.com: [Awkward
                  silence] That's true....
 Balfour: Wow, that was way
                  too easy, brother! You gotta put up more
 of a fight
                  than that. Actually, I lived in that that Silver Lake
 area [where Sex, Love & Secrets is set], and there are a lot of male
 hairdressers. It's not a dumb profession for a straight guy.
 TVGuide.com: OK, but have you ever — as Charlie does — unwittingly
 slept with your best friend's girlfriend?
 Balfour: No,
                  I have never done that. But that was interesting,
 because
                  for Charlie there's a certain amount of karma involved in
 it. Even though he didn't do it on purpose, you see how people have
 to take responsibility for their own lives no matter what, and he
 has to take responsibility for the fact this is the life he's
 created, and this was bound to happen in one form or another,
 whether it be with his own best friend's girl or someone else's.
 TVGuide.com: Is teasing Denise Richards about her Wild Things ménage
 ŕ trois off-limits?
 Balfour: No, are you kidding? I
                  make fun of her all the time about
 everything. She
                  is absolutely one of the coolest people I have ever
 worked with. She's awesome, and has been a really good person to
 talk to about life and relationships. She's been giving me a lot of
 good advice.
 TVGuide.com: Has Sex, Love & Secrets
                  been "refreshing" for you,
 following 24 and Six Feet
                  Under?
 Balfour: Actually, it sort of feels similar to
                  Six Feet Under in
 that there's an emotional arc to
                  it. This show has more of that
 Tarantino-esque reality,
                  which is real, but not a reality that any
 of us have
                  ever seen. Remember in Pulp Fiction, there's that '50s
 diner they go to? It's like, we've all been to one of those
 "nostalgic" cafes, but I've never seen one that good. That's what
 this is like — a hyper-realistic state. You saw in the pilot where
 we broke reality and sang to Lauren [German]? We're going to do that
 a lot, I think. It allows you to create this alternate universe
 where you don't always have to be completely true to life.
 TVGuide.com: Could 24 have used more fantasy song-and-dance numbers?
 Balfour: [Laughs] You really want me to answer that question?
 TVGuide.com: For you, what was the coolest part of playing 24's
 computer-whiz, Milo?
 Balfour: The coolest part was getting
                  to work with Kiefer
 [Sutherland]. I didn't have a whole
                  lot to do — I sort of sat behind
 the desk a lot
                  of time and played with computers....
             TVGuide.com: Still, we got to cast a suspicious eye
                  on you now and again.... "Is Milo a bad guy?"
 Balfour: "Is he the mole? Is he just eating a lot of peanuts?" I
 really, really do think Kiefer is a phenomenal actor and a
 phenomenal guy to be around. One of my all-time favorite movies was
 The Lost Boys. Those guys were my idols. He has just given
 performance after performance, from Flatliners to that and
 Freeway....
 TVGuide.com: Whatever happened to Milo?
 Balfour: I think he got a job working for Intel. He's training all
 the people who work the AOL service lines in India.
 TVGuide.com: Did you watch the SFU finale?
 Balfour:
                  Yeah, I did. It was really beautifully done.
 TVGuide.com:
                  Have you spoken to [SFU scene partner] Lauren Ambrose
 since it ended? Is she sad?
 Balfour: I did an interview
                  for a behind-the-scenes of the finale
 thing, and I
                  saw her then. I'm sure she's sad, but at the same time,
 after five or six years... you probably want to try something else.
 I have enjoyed that about the shows I've done — I've gotten to go in
 for a couple seasons or a long arc, enjoyed it and moved on.
 TVGuide.com: You're in the movie In Her Shoes (in theaters Friday)?
 Balfour: It wasn't a very big role; it was more about the
 opportunity to be around really talented people like Cameron [Diaz],
 a wonderful actress, and Curtis Hanson, an amazing director. When
 you think about your career, you want to build a résumé of things
 that count, and be a part of projects that count. You pick projects
 because of the script and the people involved and whatever — some
 turn out to be great and some don't, but as long as you consistently
 make choices as an artist with integrity, that's all that matters.
 TVGuide.com: You're going to make me bring up 2003's The Texas
 Chainsaw Massacre.
 Balfour: I don't have to justify
                  that at all; I think it turned out
 great.
 TVGuide.com: Were you a fan of the original?
 Balfour:
                  I was a huge fan. And honestly, the original was almost a
 documentary, a Helter Skelter-type thing, where ours was much more
 of a film and in the beginning you got a better sense of who each
 character was. [Director] Marcus [Nispel] did an amazing job. As far
 as horror movies go, I think it stands out. I've been watching other
 ones, like The Grudge, and there's not even a plot.
 TVGuide.com: Was it scary to shoot?
 Balfour: The house
                  that we shot in is a real house in the middle of
 nowhere
                  in Texas, with these giant banana spiders. And the people
 who lived in it had died in 1962 and it had been abandoned since.
 TVGuide.com: I take it they're called banana spiders because they're
 the size of...
 Balfour: ... a frickin' banana, dude.
                  These things are gnarly, and
 they were everywhere.
 TVGuide.com: Your nickname is "Bluffour," because of your poker
 prowess. Give me a tip for my Friday-night game.
 Balfour:
                  The biggest mistake a casual player can make is to play
 with emotion. You can't make calls on ego, just because you want to
 stick it to somebody and win the big pot. Don't play with emotions,
 you know? You gotta know when to fold 'em.
    
                  
 **************************************** Eric Balfour Doubles His Pleasure(Sunday, February 17 10:00 PM)
 By Kate O'Hare
 LOS
                  ANGELES (Zap2it.com) - "A lot of people have been on two
 shows [at once] before," actor Eric Balfour says. "I want to
 be on three."
 While
                  the twentysomething Balfour searches for that third
 prime-time gig, he can be seen on HBO, in the Golden Globe
 Award-winning drama "Six Feet Under" and in the FOX drama
 "24," which airs Tuesdays at 9 p.m. ET.
 In "Six Feet Under," which premieres its second season on
 Sunday, March 3 at 9 p.m. ET, Balfour plays Gabriel, the
 troubled boyfriend of high-schooler Claire (Lauren Ambrose),
 the daughter in a family struggling to run a funeral home in
 the wake of its patriarch's (Richard Jenkins) sudden death.
 In the show's first-season finale, Gabriel -- who had been
 trying to mend his wild ways, with Claire's help, reverted to
 bad behavior during a party and wound up robbing a convenience
 store.
 Asked if
                  that act has consequences in Season 2, Balfour says,
 "I think it's going to float around maybe for a couple of
 seasons. I don't know. It's a heavy-duty issue that doesn't
 leave a whole lot of outs, so I think we're going to avoid it
 for the next couple of seasons."
 After a rocky beginning, the death of Gabriel's brother
 reunited him with Claire, but there's no guarantee that her
 love will save him. "He's a portrayal of a very real kid,"
 Balfour says. "Film and television sometimes tends to make
 people the good guy or the bad guy, and we've been trained to
 feed into that persona as an audience when, in real life, that
 doesn't exist very much."
 "By no means does Gabriel set out, at least in my mind, to do
 things maliciously. He just doesn't know the right way to
 handle himself. It's an interesting relationship. They both
 need each other for very similar reasons. One wants someone to
 take care of him, and one wants to feel like she's needed to
 take care of somebody."
 "So, in certain ways, it's the perfect match. But obviously,
 because of his choices in life, not a very good relationship
 for her."
 On "24,"
                  Balfour joined the cast a few episodes into the
 season playing a freelance computer expert named Milo.
 Milo was pressed into service to help Bauer find a mole in his
 operation. Since the mole turned out to be the Counter
 Terrorist Unit's computer expert, Jamey (Karina Arroyave),
 Milo seems to have found himself a job for the rest of the
 day.
 "Oh, yeah," says Balfour, "Milo's there."
 Compared to "Six Feet Under," Balfour has found "24" - with
 its unrelenting pace and multiple, interlocked story lines --
 to be quite a different challenge.
 "In certain ways," he says, "it's easier because it's not as
 emotionally draining. But the aspect of '24' that's difficult
 is that you really have to be paying attention to what's going
 on at all times. There's so much information, that if you're
 not paying attention to what you're talking about from scene
 to scene, it can come off pretty lame."
 "You're forced to stay on your toes. We'll be rehearsing
 scenes, and I'll be going, 'Wait, wait, wait, I'm saying
 things about this person, but if that's the case, how come I
 said this earlier?' It's much more of a challenge as far as
 really understanding what your character's doing at any
 moment."
 Because
                  "24" is a suspense drama, Balfour has learned
 firsthand the risks of saying too much. He was once at lunch
 with "That '70s Show" pals Danny Masterson, Topher Grace and
 Ashton Kutcher, and recalls, "They were asking me about [the
 show]. They were pushing me about it. They're like, 'What
 happens with this?' And I'm like, 'No, shut up, I'm not going
 to tell you.'"
 "So, somehow, I said one thing. They wanted a little bit of
 information, and I told them, but it wasn't something that was
 going to ruin the show for them. Then Topher said something,
 and because he said that one thing, I just assumed they knew
 everything -- that they had seen the episode."
 "I wasn't paying attention, but I forgot there was a little
 more information to it, and I blabbed. I ruined it for them. I
 didn't mean to."
                   Balfour wasn't
                  present for the triumph of "Six Feet Under" at                   
                  the Golden Globes, because he was busy with his other career,                   
                  as lead singer and guitarist for the rock band Fredalba.                  
                  Named after a prostitute Balfour encountered in Paris (not as                   
                  a customer, he says), Balfour describes the band as "a mix of                   
                  funk and hip-hop and rock. Not like Limp Bizkit, more along                   
                  the lines of the Red Hot Chili Peppers, Beastie Boys --                   
                  something like that."                   
                  An independent CD should be released in February or March, and                   
                  Balfour says the band's official Website (www.fredalba.com )                    soon will be
                  back online. He says his musical sideline                   
                  hearkens back to the day when actors were expected to be                   
                  all-around entertainers.                  
                  "There was a time when actors had to know how to sing and                   
                  dance. Liza Minnelli, Dean Martin, Sammy Davis Jr., Frank                   
                  Sinatra -- they did films; they would go and do concerts; they                   
                  would play and write music. They were just creative people."                   
                  Asked which he loves more, Balfour says, "I don't know. It's a                   
                  tough question. Part of me, as much as I love acting, wonders                   
                  if I would be happier as a musician long-term in my life."                   
                  "It's hard to do both, but part of me would rather be a                   
                  musician that occasionally does film roles, versus an actor                   
                  who tries to have a band."                 
                  
 ********************************* Eric BalfourBorn Again Animal Lover
 By Lori Golden
 If the name and face aren't familiar to you yet,
 just wait, because Eric Balfour is a young actor
 on the rise. With recurring roles on two of the
 few bonafide hit TV shows to premier in the last
 year, as well as performing with his local band
 "Fredalba," this is one busy fellow. On HBO's
 Six Feet Under he plays Gabe, who captured the
 heart of the young daughter Claire on the show.
 And on Fox TV's 24 he appears as Milo, the
 computer technician who works with Kiefer
 Sutherland's character. Both shows have won
 critical acclaim as well as recent Golden Globe
 awards.
 Eric Balfour is also an entrepreneur who, along
 with his girlfriend Francoise Koster, co-owns a
 trendy little store in Hollywood called Lou Lou,
 named in honor of their beloved Pitbull. (More
 about the store later.) Lou Lou was not the
 first dog in Eric's life, but she was the most
 important.
 A native Californian, Eric had a dog when he was
 very little until he discovered he was allergic.
 It was quite a while until he had another, a
 Chow puppy named Bear that he found on Melrose,
 who still lives at his mom's house with a few
 other dogs and cats. "I took him home and found
 out I wasn't allergic anymore… but I'm still
 allergic to cats."
 Eric's real love affair with animals actually
 began about 4 years ago, when he met Francoise
 and her Pitbull Lou Lou. "The first time I went
 to Francoise's house Lou Lou was in the driveway
 behind the gate. I couldn't get into the house,
 so I hopped the fence, not thinking it was a big
 deal. The dog was very friendly to me. I went to
 the door and Francoise, freaking out, asked me
 what I was doing. I told her I hopped the fence.
 She was amazed that the dog didn't attack me and
 was shocked when I told her it appeared that Lou
 Lou liked me."
 It was more than just "like" at first glance for
 Eric and Lou Lou. "She became my baby. I always
 liked dogs. And I HAD a dog. They were lots of
 fun and good friends. But it wasn't until I met
 Lou Lou that my affinity for and relationship to
 animals changed. I had never experienced this
 with an animal. She was the best dog."
 "She was a pure Pitbull," Eric continues, "the
 sweetest, most wonderful, neurotic dog with the
 biggest personality you'd ever meet. And she was
 like the total princess. She wouldn't sit on
 cold concrete; she would sit on your feet. And
 she ate the inside of my car one time when we
 left her in it causing $3,000 worth of damage!
 She would only eat filet mignon and caviar, but
 she would turn caviar, tuna, steak and fish down
 if she wasn't in the mood for it. She would also
 sleep in the bed with us with her head on the
 pillow, and in the morning when it got bright,
 she would scratch at the covers to try to pull
 them back. So I'd lift the cover up and she
 would crawl underneath my butt and go back to
 sleep. She would never get out of bed until we
 did and would look at me as if to say, 'come on.
 I don't want to get up yet.' So that was how my
 life as a dog person changed. I had never
 experienced that much personality and that much
 love in a dog."
 "Lou Lou and Francoise both changed my
 relationship with animals. I grew up in a
 culture that had a lot of respect for animals
 and for their place in the universe and our
 world. It was always there but I'd never really
 experienced it personally. The relationship I've
 formed with animals is much more intense now."
 A few years ago they added a Pitbull puppy,
 Bernadette, (abandoned in Bronson Canyon) to
 their household, but weren't sure how Lou Lou
 would react. "I told Francoise I didn't think we
 could keep Bernadette because this was Lou Lou's
 home and it wouldn't be fair. But we ended up
 trying it and eventually they became best
 friends. It was the first dog that Lou Lou had
 ever gotten along with and we don't know why."
 Not long after Bernadette joined their
 household, they lost Lou Lou to cancer.
 "Bernadette was really traumatized by Lou Lou's
 illness," says Eric, "and Francoise didn't want
 to get another dog after Lou Lou passed away."
 "Then one night I was searching the internet,"
 Francoise continues, "and I found a website for
 Blind and Visually Impaired Dogs that urgently
 needed homes. I saw this picture of a Pitbull,
 Petey, sitting in a bathtub with his paw up, and
 I talked it over with Eric."
 After doing a lot of research about visually
 impaired animals, Francoise took Bernadette with
 her to pick up Petey, a street dog around a year
 and a half old that had been battered, scarred
 and blinded, most likely from trauma.
 "He's blind and bumps into stuff," says Eric,
 "but he's just the happiest, sweetest, most
 awesome dog. I keep telling Francoise that Petey
 is Lou Lou reincarnated- they are very similar
 in many ways. And he and Bernadette get along
 well."
 Francoise says that Petey really isn't that
 different from a dog that can see. "He's figured
 out his way around the house, and he tests
 everything with his mouth. He even ate the
 remote control. But he's very sensitive and uses
 his taste buds… that's how he figures things
 out. Most people don't realize he's blind. He's
 amazing."
 He also appears to be very talented. One day
 Petey was hanging out with Eric during a music
 rehearsal at the house, "and we started playing
 this one really high pitched guitar note when
 Petey just started singing along. (Eric starts
 to howl.) Then later I just howled at him and he
 howled back. Now whenever I sing or I'm
 practicing for a show he just starts howling. He
 wants to sing!
 Eric says that despite the bad press, "Pitbulls
 are not mean or evil dogs. They have very
 specific character traits and they have high
 prey drives, which is very different than being
 mean. When they see something running or playing
 they want to play with it… they want to pounce
 on it and get it. It's a game to them a lot of
 times. I just think they are unfairly treated.
 They are very smart dogs. They are very sweet
 and they are very sensitive, in some ways more
 sensitive than other dogs."
 Francoise has been doing volunteer work with The
 Brittany Foundation and Villalobos Pitbull
 Rescue for quite awhile. And together, she and
 Eric have been involved with a very special
 program established by Tia Torres and her
 Villalobos Rescue Center called "Pets In The
 Hood."
 "This is a program," Eric explains, "that takes
 rescued Pitbulls that are either wild or
 abandoned or abused… and brings them into a
 juvenile detention center where the kids are
 taught to train them so they can be adopted. The
 point is that you're taking two outcasts of
 society- this juvenile, who's been outcast and
 not taken care of… and this animal, that has not
 been taken care of, and they are put together to
 help each other. The love and respect the kids
 learn when they spend time with this dog that
 doesn't care what they've done, doesn't care who
 they are or where they come from and just loves
 them unconditionally is a powerful tool in
 healing these people. It helps the kids AND the
 dogs. Currently Pets In The Hood has had to be
 reduced to 5 to 6 boys working one-on-one with 5
 to 6 volunteers and dogs. (If they can get more
 volunteers to take part in the program, more
 dogs and boys can be involved.) The boys learn
 how to train and care for the dogs, and when
 they are released, they can continue working
 with the program at Villalobos Rescue's
 headquarters.
 Francoise adds that they are trying to involve
 other types of businesses with the program, "so
 that when these kids get out there are possible
 jobs for them. A lot of these kids don't think
 they'll have an opportunity to do something once
 they're released. The idea is that once they
 learn compassion and responsibility with the
 dogs, they'll be more prepared to deal with
 society… and local businesses can really be of
 help here."
 Francoise and her family have owned La Poubelle
 Restaurant, a mainstay in Hollywood on Franklin
 Ave, for over 30 years. Through various
 sponsorship programs they try to bring awareness
 about animals to people in their community, and
 especially to children at schools in the area.
 "It really takes so little for a business to be
 effective within its own community. If a dog is
 in need of a loving home, I put flyers in the
 guest checks of our customers. Some people are
 offended, but what I love about my mom is she
 tells them to go to hell! So I do things like
 that here. The restaurant also will rent a bus
 and take local school kids on a trip to the zoo,
 to expose them to animals for the first time."
 Lou Lou, Eric and Francoise's store, is next to
 La Poubelle. "It's a lifestyle store," describes
 Eric, "with furniture and art and clothing.
 Basically you're walking into a store and you're
 buying our taste, what we think is cool and hip
 and interesting." (By the way, if you stop by,
 you might just get to meet Petey or Bernadette
 who often hang out in the store.)
 Lou Lou's also sells items that helps animals,
 like chocolate bars to save endangered species,
 Healthy Planet greeting cards, and "elephant
 art." These are paintings created by a rescued
 elephant named Susie, "who actually likes it
 when you give her a paintbrush," explains
 Francoise. "She just moves it around the canvas
 with her trunk. She's also available to create
 commissioned paintings to your color
 specifications. Susie is with another elephant
 named Butch at the Elephants of Africa Rescue
 Society in Acton, which adopts elephants in the
 US. Butch came from a defunct children's zoo on
 the east coast, where he was abandoned in a
 field and starved to death. Plus he had been
 de-trunked and castrated. But now he's got a
 home with this wonderful rescue. 100% of the
 proceeds from Susie's art goes to help this
 rescue and to help researchers in Africa."
 Eric Balfour's life is filled with more than
 just animals. There's his acting as well as his
 music. "It just so happens that I have been
 introduced to these animals and it's given me an
 outlook to help make a difference."
 Readers of The Pet Press can also make a
 difference. Eric says, "first of all, spay and
 neuter your animals. Next, if you're going to
 buy a dog, which I don't think you should
 because there are so many dogs that need homes…
 if you can afford to buy one and can spend that
 money, you can afford to ADOPT one and have a
 second one as well. That should become a
 mandated rule. Last, get involved. You'll enjoy
 it. Go to The Brittany Foundation on Sundays.
 Volunteer for the Pets In The Hood program. Go
 to the dog park. You'll have fun. Play with the
 animals. That's what happened to me. It's a
 really fun thing to do in your community. It's
 surprising how helping and working with animals
 can bring you fulfillment. When you help a dog
 it's just as good as helping a person. I'm the
 example of someone who didn't know how great it
 could be to be an animal lover… until I finally
 had one. I guess that makes me a born again
 animal lover!"
 (Watch for Eric Balfour on Fox TV's 24, Tuesdays
 at 9pm, and on the new season of Six Feet Under
 which returns to HBO on March 3rd. To help the
 animals, stop by Lou Lou at 5905 Franklin Ave.
 in Hollywood, where you can also find out about
 appearances by Eric's band Fredalba
 
                  
                  
                  
                  
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