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EXCLUSIVE INTERVIEW: Eric Balfour of "The Texas Chainsaw
Massacre"
POSTED ON 10/14/03 AT 11:00 A.M.
BY ETHAN AAMES
Exclusive Interview by Thomas Chau in New York City
While his name isn’t immediately recognizable, you’ve
probably recognized that face either from the HBO series
“Six Feet Under,” “24” with Kiefer Sutherland, or simply
that guy who Punk’d Jessica Biel. But get used to it,
for Eric Balfour is a fresh new face in the Hollywood
scene. Balfour has a major upcoming television series
executive produced by Jerry Bruckheimer called
“Fearless” in which he stars opposite Rachel Leigh Cook,
a female FBI agent who is born without the gene for
fear.
But before we see Eric in that, you can catch in him in
“The Texas Chainsaw Massacre,” opening October 17th. I
had the chance to sit down with Eric one-on-one to talk
about Leatherface, “Fearless,” and something about a
French prostitute?
TOM: You’re known to some people for “Six Feet Under”
and you’re known to some people for “24”…but is it weird
to also be known as the guy who played Satan in a
minivan commercial?
ERIC: I guess. Most people who I encounter know me from
“Six Feet Under” or “24.” I guess there’s the occasional
commercial person.
TOM: But it sticks out in people’s minds…
ERIC: I guess that’s good!
TOM: So why did you decide to do a remake of “The Texas
Chainsaw Massacre”?
ERIC: It was never something in my mind that I thought I
wanted to do, or that I necessarily thought doing a
remake of this movie was a good idea. What it really
was, was that I read the script and it had really good
three-dimensional characters. It wasn’t like the first
one where it was sort of annoying almost. They were
well-developed, the story was good, and it stayed true
to the original but it was its own piece. And then, you
meet [Director] Marcus [Nispel] and see what he can do
visually. That was what intrigued me the most. Nobody
has made a horror film look the way he could in a long
time. He was really dedicated to making it look
beautiful and make it look interesting. I guess David
Fincher did it with “Se7en” and that’s the closest thing
I can think of.
TOM: What were the conditions like shooting in a van in
Texas during the summer?
ERIC: It was hot. It was hard. It was 100 degrees
everyday, 100% humidity. It was 140 in the van with all
of us and the lights. But it kind of added to the whole
thing cause it certainly made it more real.
TOM: Did you build some kind of camaraderie with the
cast?
ERIC: It was hands down the best cast I’ve ever worked
with. I’m not saying that they’re better actors than
anyone else I’ve worked with. I’ve worked with some very
amazing people. But we still hangout every week. We’re
all friends.
TOM: Well I guess you had to have a good bond with
Jessica because I saw the “Punk’d” episode where you
“punk” her maybe 5 million times on MTV over the summer.
How did that come about?
ERIC: They “punk’d” me on the red carpet with that
little kid Ryan [Pinkston]…
TOM: What did he say to you?
ERIC: I don’t remember but he was giving me shit. Ryan’s
a funny little fucker. Ashton [Kutcher] calls me and he
says, “Say, do you want to punk somebody?” I’m like, “Oh
wait, I want to punk Jess!” I actually had to lie to her
and tell her that I needed her help with a charity that
I work with. And she’s like, “I’ll help you do anything
you want.” And she meant it. She would help me do
anything she wanted me to do.
TOM: What are your favorite horror movies of all-time?
ERIC: “The Exorcist” is hands down my favorite. I
thought it was a beautiful film – the way it was shot,
the music. What I loved about “Poltergeist” was that it
was funny in a lot of ways. Craig T. Nelson was very
funny and the humor didn’t come out of jokes. It came
out of a real-life comedy. It’s like when people laugh
at funerals. Obviously, funerals aren’t funny but it’s
the only way you can get through this stuff sometimes.
“The Shining” is a great one.
TOM: So you probably think that the recent trend of “Who
Dunnit” teen slasher flicks suck…
ERIC: I like the classic horror films that were good
versus evil and that were truly dark films. All the
other ones from the last 10 years has too much of a
“wink wink,” everyone-is-in-on-the-joke type of thing.
They poke fun of the genre but it was fun the first
time. They’re all so aware of themselves now. What’s the
point?
TOM: How did you feel when you first saw the scene where
Leatherface wears your face?
ERIC: The first time I saw that freaking mask, it only
confirmed that I looked as goofy as I thought I was.
[Executive Producer] Brad Fuller actually has that mask
sitting in a glass case in his office. But it was a
little uncomfortable.
TOM: Well, we saw New Line put Freddy up against Jason.
How do you think Leatherface would fair against them?
ERIC: Well I think Jason is a retard. I never dug him.
He never did it for me. Freddy always had a little
flavor to him. I got to give him credit for that. I
would have to go with Freddy. Freddy could take
Leatherface. But I think Leatherface could definitely
take Jason.
TOM: Can you talk about your band Fredalba? I read
somewhere you named your band after a French prostitute?
What’s the story behind that?
ERIC: She stole a bunch of money from us. It’s kind of a
long stupid story but we were in Paris and ran out of
French franks and all we had was U.S. dollars. No cab
would take our money. They’re not the most helpful
people. We couldn’t get back to the apartment we were
staying at because it was all the way across the city
and it would’ve taken us all night to get back. So we’re
hanging out in a sort of red light district and we
started talking to this girl on the corner, who turns
out to be a prostitute. So we’re chatting it up and
someone asks, “Hey do you have franks on you? How do you
feel about us giving you U.S. money for franks, and
we’ll give you an extra 20 bucks?” Nobody was paying
attention and we gave her 100 U.S. dollars for 100
franks and the exchange rate was five-to-one at that
time so we got took for about 80 bucks.
TOM: Who are your musical influences and favorite CDs?
ERIC: Prince’s “Purple Rain.” Anything by Stevie Wonder.
I love the Red Hot Chilli Peppers. I love the new
Outkast album, I think it’s really good. I like N.E.R.D.
a lot.
TOM: And can you talk about your show “Fearless.” It’s
being pushed to mid-season?
ERIC: It’s being pushed to mid-season. It basically came
down to the fact that Jerry Bruckheimer wasn’t happy
with the direction the writers was taking the show so
they needed to step back and figure it out.
TOM: You shot the pilot already. Are you scheduled to
shoot more episodes later?
ERIC: Yeah, they’re still trying to figure some things
out.
TOM: What’s your role and relationship to Rachel Leigh
Cook?
ERIC: Rachel and I are partners and we both work for the
same unit of the F.B.I.
TOM: They brought back your character, even though he’s
dead, on “Six Feet Under.” Is it a possibility that
they’ll bring you back again?
ERIC: (slyly) Yeah it’s a possibility.
TOM: Is that being kept underwraps?
ERIC: Yep.
Modern-day McGarretts Frequent isle visits help Balfour
develop his "Hawaii" character
Stories by Tim Ryan tryan@starbulletin.com ERIC BALFOUR If you didn't know Eric Balfour was starring
in a network television series, you might not guess he's an actor, even while hanging around
him during filming.
Location: Hawaii
'Hawaii': Premieres at 7 p.m. Sept. 1 on NBC 'Lost':
Premieres at 7 p.m. Sept. 22 on ABC On a recent hot and humid afternoon in Waimanalo, there
was Balfour, 27, in a tank top, shorts and boots, sitting on a rustic picnic table, talking
story with several local actors, crew members and extras.
When he excuses himself with an "I'll be right back," his companions look as if the co-star
of "Texas Chain Saw Massacre," HBO's "Six Feet Under," "24" and lead singer of the band
Fredalba has probably ditched them. But that's not Balfour's style. If the 6-foot-2 surfing
and basketball playing actor is leaving, he doesn't sneak away.
"If I'm bored by something or someone or early on in relationships if I don't think there's
a future, I don't stick around," Balfour says. "But I do make my feelings known."
A minute later, Balfour is back carrying a half-dozen bottles of water that he hands around.
"Now, where were we?" he says. "Oh, yeah ..." Balfour is half of a crime-fighting duo in
the NBC police drama "Hawaii," which premieres Sept. 1. He plays Hawaii-raised Chris Gaines,
a brash detective, partnered with Ivan Sergei ("Crossing Jordan") as Danny
Edwards. The show also stars Aya Sumika, Cary-Hiroyuki Tagawa, Michael Biehn and Sharif
Atkin. Balfour is a frequent Hawaii visitor, coming here to visit an uncle living
on Maui or to surf, a sport he learned while growing up in Southern California.
"I would never be so presumptuous to say I understand what it's like to live here, but
I do have an advantage over those who have never been," Balfour said. "I think that helps
my character in 'Hawaii.'" The actor began his career at 15 when he joined the cast of "Kids
Incorporated," a TV series about a group of musically gifted youngsters.
The following year, he landed a regular role on the TV series "Arresting Behavior." From
there his career took off, with appearances on several episodes of "Dr. Quinn, Medicine
Woman," followed by guest shots on other prime-time shows: "Step by Step," "Boy Meets World,"
"Buffy the Vampire Slayer," "Clueless," "Dawson's Creek," "Nash Bridges," "NYPD Blue,
"Chicago Hope" and "The West Wing." As a teen, hanging around all the adults on sets made
him a bit precocious, which some of his teachers failed to appreciate. He won't say
which Burbank high school he attended. "My biggest problem was trying to relate to my teachers
on a peer level, which, in hindsight, was wrong. I never, ever disrespected them, but I
didn't blindly accept other people's opinions. "I wanted
to have conversations like I had with people at work, and that didn't go over that well
with some teachers." Balfour says his parents were free spirits, "hippies." The family lived
for a time at the Escalen Institute in Big Sur, where his mother taught.
Balfour missed a lot of school due to work. By his own estimate, he was absent 90 days
in one semester. "I started writing my own absent excuse notes: 'Eric was absent from
school because he was working. (signed) Eric,'" he said. "In my senior year they tried
to kick me out because they said I wasn't on the premises enough, though I had a 4.0 GPA."
But acting had Balfour in its grip. He's so passionate about it that when he sounds childlike
in describing his experiences. "At 15, I started taking acting lessons because I really
wanted to learn. I discovered that you don't have to create a character that is necessarily
you. "There's a difference between character and characteristics.
The character is defined on the page. Characteristics come from inside you, and that's
what you bring to it." His favorite actors are "those
who bring the truth in themselves to the characters they play, their own experiences into
their characters. I think an actor's job is to study life," he said.
Balfour leans back on his stool and laughs. "I really do not take myself so seriously."
IF THE PILOT is any indication, the Balfour-Sergei buddy relationship could become one
of the best duos on TV this season. These are two young cops who know what's right and,
in their minds, the best way to deal with bad guys, which is not necessarily the Honolulu
Police Department's -- or any other department's -- standard operating procedure.
"We struggled in the beginning to find the balance between reality and theater," Balfour
said. "We want to be fun and have lots of action ... but at the same time I struggle to
do truthful, honest, creative work. I don't want to be just a cop or fall into a formula
of a character." He credits "Hawaii's" creator and executive producer Jeff Eastin with
allowing the actors to help create the back-stories of their characters. "I suggested Gaines
is from Hawaii, and Jeff liked that," Balfour said. "It creates a persona where I have
an understanding of the island, and some of the criminals can be some guys Gaines grew
up with or is friends with now. "You have to create something
you want to play." That includes creating humor from situations the officers face. "When
writers write a joke, you immediately think, 'Oh, that sounds like a
joke.' Life is funny and life is tragic, and often they intertwine. In facing death, you
face life; in great tragedy there is great comedy." Gaines and Edwards are friends but not
always kind to one another, and the audience can never be sure what they are going to do,
whereas the characters portrayed by Biehn and Atkins are more mature, their drama
straightforward, even comforting. "Ivan and I have created this great dynamic where we bust
each other's balls and give each other a hard time," Balfour said. "But we still
maintain that these are real cops. The minute people don't believe it's for real, then
it doesn't go anywhere." Who is Gaines in Balfour's eyes?
"A guy who started out down the wrong road. He grew up a screw-up, involved in gangs and
drugs, no direction. But he finally found that the only way to help his family and community
was to become a police officer. He's got a chip on his shoulder, can be an antagonist,
but has great respect for the rules of his job." That
makes for an interesting juxtaposition with Edwards, who, Balfour says, has "no respect
for political correctness and procedure, is an angry, brash, sullen guy."
What both characters have in common is their existential approach to police policy.
"They believe the ends justify the means, and that makes the show fun. I don't think there
should be a limit for them when they want to do the right thing for the greatest good.
If you have to sign a judge's name to a warrant because it's a weekend and you need it
now, you gotta do it." Balfour loves Hawaii and spends much of his free time surfing, but
he misses friends and family. "After being here a month
and understanding how long 'Hawaii' could stay on the air, these feelings are harder than
I thought. I don't know how long I would stay with the show if it's a hit. I can see a
few years. I've never been good at staying in one place for very long.
"This is a stop along the way for me." Television work is a means to an artistic end for
Balfour. "I'm a perfectionist and TV doesn't allow for that," he said. "It's a
compromise and I'm not good at compromise." He hopes "Hawaii" will give him enough financial
security so that he can pick and choose films to work on.
In the meantime he plans to buy a home here if "Hawaii" gets a second season; dates but
nothing serious; writes music; and is never far from his iPod.
IT'S NEAR MIDNIGHT in Waikiki when Balfour and his uncle finish night surfing under a full
moon at Queen's Surf. They forgot a cell phone, so they stop a couple of teenage girls
to ask if they could use theirs. One of the girls recognizes the actor and is so excited
all she can say is, "You're Eric Balfour, you're Eric Balfour!"
Balfour is polite and gracious. "I'm always surprised by how an actor can affect someone,
and it is flattering," he said. "It's fans who keep your career viable. I never
forget that. "No one should go into a high-profile business if they want to remain
anonymous." Then Balfour quotes one of his favorite actors, Tom Hanks: "Celebrity only
allows you to be more of who you already are. If you're a little bit of an a--hole to begin
with, then celebrity gives you free rein to be a bigger a--hole. But if you're a good person
to begin with ..." The next afternoon, back on the set, a smiling Balfour stares at the
emerald cliffs rising dramatically behind Waimanalo.
"Man, I could be digging ditches or laying roofing," he says, shaking his head. "This is
a good gig, a really good gig."
*********************************************
Sexy Stylist Spills His Secrets
originally published October 4, 2005
Sexy Stylist Spills His Secrets
by Matt Webb Mitovich
Eric Balfour
Eric Balfour, whose TV résumé includes intense arcs
on 24 and Six Feet Under, is finally getting to lighten
up. On UPN's Sex, Love & Secrets (airing Tuesdays
at 9 pm/ET), he's playing Charlie, a player who aims
to do for hairstyling what Cheers' Sam Malone did for
barkeeping — a game plan that even TVGuide.com didn't deem plausible
until the actor stumped us good. TVGuide.com: You're
playing a straight, womanizing hairdresser. Do you
really expect people to buy into that? Eric Balfour:
Yeah, didn't you ever see Shampoo? TVGuide.com: [Awkward
silence] That's true.... Balfour: Wow, that was way
too easy, brother! You gotta put up more of a fight
than that. Actually, I lived in that that Silver Lake
area [where Sex, Love & Secrets is set], and there are a lot of male
hairdressers. It's not a dumb profession for a straight guy.
TVGuide.com: OK, but have you ever — as Charlie does — unwittingly
slept with your best friend's girlfriend? Balfour: No,
I have never done that. But that was interesting, because
for Charlie there's a certain amount of karma involved in
it. Even though he didn't do it on purpose, you see how people have
to take responsibility for their own lives no matter what, and he
has to take responsibility for the fact this is the life he's
created, and this was bound to happen in one form or another,
whether it be with his own best friend's girl or someone else's.
TVGuide.com: Is teasing Denise Richards about her Wild Things ménage
ŕ trois off-limits? Balfour: No, are you kidding? I
make fun of her all the time about everything. She
is absolutely one of the coolest people I have ever
worked with. She's awesome, and has been a really good person to
talk to about life and relationships. She's been giving me a lot of
good advice. TVGuide.com: Has Sex, Love & Secrets
been "refreshing" for you, following 24 and Six Feet
Under? Balfour: Actually, it sort of feels similar to
Six Feet Under in that there's an emotional arc to
it. This show has more of that Tarantino-esque reality,
which is real, but not a reality that any of us have
ever seen. Remember in Pulp Fiction, there's that '50s
diner they go to? It's like, we've all been to one of those
"nostalgic" cafes, but I've never seen one that good. That's what
this is like — a hyper-realistic state. You saw in the pilot where
we broke reality and sang to Lauren [German]? We're going to do that
a lot, I think. It allows you to create this alternate universe
where you don't always have to be completely true to life.
TVGuide.com: Could 24 have used more fantasy song-and-dance numbers?
Balfour: [Laughs] You really want me to answer that question?
TVGuide.com: For you, what was the coolest part of playing 24's
computer-whiz, Milo? Balfour: The coolest part was getting
to work with Kiefer [Sutherland]. I didn't have a whole
lot to do — I sort of sat behind the desk a lot
of time and played with computers....
TVGuide.com: Still, we got to cast a suspicious eye
on you now and again.... "Is Milo a bad guy?"
Balfour: "Is he the mole? Is he just eating a lot of peanuts?" I
really, really do think Kiefer is a phenomenal actor and a
phenomenal guy to be around. One of my all-time favorite movies was
The Lost Boys. Those guys were my idols. He has just given
performance after performance, from Flatliners to that and
Freeway.... TVGuide.com: Whatever happened to Milo?
Balfour: I think he got a job working for Intel. He's training all
the people who work the AOL service lines in India.
TVGuide.com: Did you watch the SFU finale? Balfour:
Yeah, I did. It was really beautifully done. TVGuide.com:
Have you spoken to [SFU scene partner] Lauren Ambrose
since it ended? Is she sad? Balfour: I did an interview
for a behind-the-scenes of the finale thing, and I
saw her then. I'm sure she's sad, but at the same time,
after five or six years... you probably want to try something else.
I have enjoyed that about the shows I've done — I've gotten to go in
for a couple seasons or a long arc, enjoyed it and moved on.
TVGuide.com: You're in the movie In Her Shoes (in theaters Friday)?
Balfour: It wasn't a very big role; it was more about the
opportunity to be around really talented people like Cameron [Diaz],
a wonderful actress, and Curtis Hanson, an amazing director. When
you think about your career, you want to build a résumé of things
that count, and be a part of projects that count. You pick projects
because of the script and the people involved and whatever — some
turn out to be great and some don't, but as long as you consistently
make choices as an artist with integrity, that's all that matters.
TVGuide.com: You're going to make me bring up 2003's The Texas
Chainsaw Massacre. Balfour: I don't have to justify
that at all; I think it turned out great.
TVGuide.com: Were you a fan of the original? Balfour:
I was a huge fan. And honestly, the original was almost a
documentary, a Helter Skelter-type thing, where ours was much more
of a film and in the beginning you got a better sense of who each
character was. [Director] Marcus [Nispel] did an amazing job. As far
as horror movies go, I think it stands out. I've been watching other
ones, like The Grudge, and there's not even a plot.
TVGuide.com: Was it scary to shoot? Balfour: The house
that we shot in is a real house in the middle of nowhere
in Texas, with these giant banana spiders. And the people
who lived in it had died in 1962 and it had been abandoned since.
TVGuide.com: I take it they're called banana spiders because they're
the size of... Balfour: ... a frickin' banana, dude.
These things are gnarly, and they were everywhere.
TVGuide.com: Your nickname is "Bluffour," because of your poker
prowess. Give me a tip for my Friday-night game. Balfour:
The biggest mistake a casual player can make is to play
with emotion. You can't make calls on ego, just because you want to
stick it to somebody and win the big pot. Don't play with emotions,
you know? You gotta know when to fold 'em.
****************************************
Eric Balfour Doubles His Pleasure
(Sunday, February 17 10:00 PM)
By Kate O'Hare LOS
ANGELES (Zap2it.com) - "A lot of people have been on two
shows [at once] before," actor Eric Balfour says. "I want to
be on three." While
the twentysomething Balfour searches for that third
prime-time gig, he can be seen on HBO, in the Golden Globe
Award-winning drama "Six Feet Under" and in the FOX drama
"24," which airs Tuesdays at 9 p.m. ET.
In "Six Feet Under," which premieres its second season on
Sunday, March 3 at 9 p.m. ET, Balfour plays Gabriel, the
troubled boyfriend of high-schooler Claire (Lauren Ambrose),
the daughter in a family struggling to run a funeral home in
the wake of its patriarch's (Richard Jenkins) sudden death.
In the show's first-season finale, Gabriel -- who had been
trying to mend his wild ways, with Claire's help, reverted to
bad behavior during a party and wound up robbing a convenience
store. Asked if
that act has consequences in Season 2, Balfour says,
"I think it's going to float around maybe for a couple of
seasons. I don't know. It's a heavy-duty issue that doesn't
leave a whole lot of outs, so I think we're going to avoid it
for the next couple of seasons."
After a rocky beginning, the death of Gabriel's brother
reunited him with Claire, but there's no guarantee that her
love will save him. "He's a portrayal of a very real kid,"
Balfour says. "Film and television sometimes tends to make
people the good guy or the bad guy, and we've been trained to
feed into that persona as an audience when, in real life, that
doesn't exist very much."
"By no means does Gabriel set out, at least in my mind, to do
things maliciously. He just doesn't know the right way to
handle himself. It's an interesting relationship. They both
need each other for very similar reasons. One wants someone to
take care of him, and one wants to feel like she's needed to
take care of somebody."
"So, in certain ways, it's the perfect match. But obviously,
because of his choices in life, not a very good relationship
for her." On "24,"
Balfour joined the cast a few episodes into the
season playing a freelance computer expert named Milo.
Milo was pressed into service to help Bauer find a mole in his
operation. Since the mole turned out to be the Counter
Terrorist Unit's computer expert, Jamey (Karina Arroyave),
Milo seems to have found himself a job for the rest of the day.
"Oh, yeah," says Balfour, "Milo's there."
Compared to "Six Feet Under," Balfour has found "24" - with
its unrelenting pace and multiple, interlocked story lines --
to be quite a different challenge.
"In certain ways," he says, "it's easier because it's not as
emotionally draining. But the aspect of '24' that's difficult
is that you really have to be paying attention to what's going
on at all times. There's so much information, that if you're
not paying attention to what you're talking about from scene
to scene, it can come off pretty lame."
"You're forced to stay on your toes. We'll be rehearsing
scenes, and I'll be going, 'Wait, wait, wait, I'm saying
things about this person, but if that's the case, how come I
said this earlier?' It's much more of a challenge as far as
really understanding what your character's doing at any
moment." Because
"24" is a suspense drama, Balfour has learned
firsthand the risks of saying too much. He was once at lunch
with "That '70s Show" pals Danny Masterson, Topher Grace and
Ashton Kutcher, and recalls, "They were asking me about [the
show]. They were pushing me about it. They're like, 'What
happens with this?' And I'm like, 'No, shut up, I'm not going
to tell you.'"
"So, somehow, I said one thing. They wanted a little bit of
information, and I told them, but it wasn't something that was
going to ruin the show for them. Then Topher said something,
and because he said that one thing, I just assumed they knew
everything -- that they had seen the episode."
"I wasn't paying attention, but I forgot there was a little
more information to it, and I blabbed. I ruined it for them. I
didn't mean to."
Balfour wasn't
present for the triumph of "Six Feet Under" at
the Golden Globes, because he was busy with his other career,
as lead singer and guitarist for the rock band Fredalba.
Named after a prostitute Balfour encountered in Paris (not as
a customer, he says), Balfour describes the band as "a mix of
funk and hip-hop and rock. Not like Limp Bizkit, more along
the lines of the Red Hot Chili Peppers, Beastie Boys --
something like that."
An independent CD should be released in February or March, and
Balfour says the band's official Website ( www.fredalba.com) soon will be
back online. He says his musical sideline
hearkens back to the day when actors were expected to be
all-around entertainers.
"There was a time when actors had to know how to sing and
dance. Liza Minnelli, Dean Martin, Sammy Davis Jr., Frank
Sinatra -- they did films; they would go and do concerts; they
would play and write music. They were just creative people."
Asked which he loves more, Balfour says, "I don't know. It's a
tough question. Part of me, as much as I love acting, wonders
if I would be happier as a musician long-term in my life."
"It's hard to do both, but part of me would rather be a
musician that occasionally does film roles, versus an actor
who tries to have a band."
*********************************
Eric Balfour
Born Again Animal Lover
By Lori Golden
If the name and face aren't familiar to you yet,
just wait, because Eric Balfour is a young actor
on the rise. With recurring roles on two of the
few bonafide hit TV shows to premier in the last
year, as well as performing with his local band
"Fredalba," this is one busy fellow. On HBO's
Six Feet Under he plays Gabe, who captured the
heart of the young daughter Claire on the show.
And on Fox TV's 24 he appears as Milo, the
computer technician who works with Kiefer
Sutherland's character. Both shows have won
critical acclaim as well as recent Golden Globe
awards.
Eric Balfour is also an entrepreneur who, along
with his girlfriend Francoise Koster, co-owns a
trendy little store in Hollywood called Lou Lou,
named in honor of their beloved Pitbull. (More
about the store later.) Lou Lou was not the
first dog in Eric's life, but she was the most
important.
A native Californian, Eric had a dog when he was
very little until he discovered he was allergic.
It was quite a while until he had another, a
Chow puppy named Bear that he found on Melrose,
who still lives at his mom's house with a few
other dogs and cats. "I took him home and found
out I wasn't allergic anymore… but I'm still
allergic to cats."
Eric's real love affair with animals actually
began about 4 years ago, when he met Francoise
and her Pitbull Lou Lou. "The first time I went
to Francoise's house Lou Lou was in the driveway
behind the gate. I couldn't get into the house,
so I hopped the fence, not thinking it was a big
deal. The dog was very friendly to me. I went to
the door and Francoise, freaking out, asked me
what I was doing. I told her I hopped the fence.
She was amazed that the dog didn't attack me and
was shocked when I told her it appeared that Lou
Lou liked me."
It was more than just "like" at first glance for
Eric and Lou Lou. "She became my baby. I always
liked dogs. And I HAD a dog. They were lots of
fun and good friends. But it wasn't until I met
Lou Lou that my affinity for and relationship to
animals changed. I had never experienced this
with an animal. She was the best dog."
"She was a pure Pitbull," Eric continues, "the
sweetest, most wonderful, neurotic dog with the
biggest personality you'd ever meet. And she was
like the total princess. She wouldn't sit on
cold concrete; she would sit on your feet. And
she ate the inside of my car one time when we
left her in it causing $3,000 worth of damage!
She would only eat filet mignon and caviar, but
she would turn caviar, tuna, steak and fish down
if she wasn't in the mood for it. She would also
sleep in the bed with us with her head on the
pillow, and in the morning when it got bright,
she would scratch at the covers to try to pull
them back. So I'd lift the cover up and she
would crawl underneath my butt and go back to
sleep. She would never get out of bed until we
did and would look at me as if to say, 'come on.
I don't want to get up yet.' So that was how my
life as a dog person changed. I had never
experienced that much personality and that much
love in a dog."
"Lou Lou and Francoise both changed my
relationship with animals. I grew up in a
culture that had a lot of respect for animals
and for their place in the universe and our
world. It was always there but I'd never really
experienced it personally. The relationship I've
formed with animals is much more intense now."
A few years ago they added a Pitbull puppy,
Bernadette, (abandoned in Bronson Canyon) to
their household, but weren't sure how Lou Lou
would react. "I told Francoise I didn't think we
could keep Bernadette because this was Lou Lou's
home and it wouldn't be fair. But we ended up
trying it and eventually they became best
friends. It was the first dog that Lou Lou had
ever gotten along with and we don't know why."
Not long after Bernadette joined their
household, they lost Lou Lou to cancer.
"Bernadette was really traumatized by Lou Lou's
illness," says Eric, "and Francoise didn't want
to get another dog after Lou Lou passed away."
"Then one night I was searching the internet,"
Francoise continues, "and I found a website for
Blind and Visually Impaired Dogs that urgently
needed homes. I saw this picture of a Pitbull,
Petey, sitting in a bathtub with his paw up, and
I talked it over with Eric."
After doing a lot of research about visually
impaired animals, Francoise took Bernadette with
her to pick up Petey, a street dog around a year
and a half old that had been battered, scarred
and blinded, most likely from trauma.
"He's blind and bumps into stuff," says Eric,
"but he's just the happiest, sweetest, most
awesome dog. I keep telling Francoise that Petey
is Lou Lou reincarnated- they are very similar
in many ways. And he and Bernadette get along
well."
Francoise says that Petey really isn't that
different from a dog that can see. "He's figured
out his way around the house, and he tests
everything with his mouth. He even ate the
remote control. But he's very sensitive and uses
his taste buds… that's how he figures things
out. Most people don't realize he's blind. He's
amazing."
He also appears to be very talented. One day
Petey was hanging out with Eric during a music
rehearsal at the house, "and we started playing
this one really high pitched guitar note when
Petey just started singing along. (Eric starts
to howl.) Then later I just howled at him and he
howled back. Now whenever I sing or I'm
practicing for a show he just starts howling. He
wants to sing!
Eric says that despite the bad press, "Pitbulls
are not mean or evil dogs. They have very
specific character traits and they have high
prey drives, which is very different than being
mean. When they see something running or playing
they want to play with it… they want to pounce
on it and get it. It's a game to them a lot of
times. I just think they are unfairly treated.
They are very smart dogs. They are very sweet
and they are very sensitive, in some ways more
sensitive than other dogs."
Francoise has been doing volunteer work with The
Brittany Foundation and Villalobos Pitbull
Rescue for quite awhile. And together, she and
Eric have been involved with a very special
program established by Tia Torres and her
Villalobos Rescue Center called "Pets In The
Hood."
"This is a program," Eric explains, "that takes
rescued Pitbulls that are either wild or
abandoned or abused… and brings them into a
juvenile detention center where the kids are
taught to train them so they can be adopted. The
point is that you're taking two outcasts of
society- this juvenile, who's been outcast and
not taken care of… and this animal, that has not
been taken care of, and they are put together to
help each other. The love and respect the kids
learn when they spend time with this dog that
doesn't care what they've done, doesn't care who
they are or where they come from and just loves
them unconditionally is a powerful tool in
healing these people. It helps the kids AND the
dogs. Currently Pets In The Hood has had to be
reduced to 5 to 6 boys working one-on-one with 5
to 6 volunteers and dogs. (If they can get more
volunteers to take part in the program, more
dogs and boys can be involved.) The boys learn
how to train and care for the dogs, and when
they are released, they can continue working
with the program at Villalobos Rescue's
headquarters.
Francoise adds that they are trying to involve
other types of businesses with the program, "so
that when these kids get out there are possible
jobs for them. A lot of these kids don't think
they'll have an opportunity to do something once
they're released. The idea is that once they
learn compassion and responsibility with the
dogs, they'll be more prepared to deal with
society… and local businesses can really be of
help here."
Francoise and her family have owned La Poubelle
Restaurant, a mainstay in Hollywood on Franklin
Ave, for over 30 years. Through various
sponsorship programs they try to bring awareness
about animals to people in their community, and
especially to children at schools in the area.
"It really takes so little for a business to be
effective within its own community. If a dog is
in need of a loving home, I put flyers in the
guest checks of our customers. Some people are
offended, but what I love about my mom is she
tells them to go to hell! So I do things like
that here. The restaurant also will rent a bus
and take local school kids on a trip to the zoo,
to expose them to animals for the first time."
Lou Lou, Eric and Francoise's store, is next to
La Poubelle. "It's a lifestyle store," describes
Eric, "with furniture and art and clothing.
Basically you're walking into a store and you're
buying our taste, what we think is cool and hip
and interesting." (By the way, if you stop by,
you might just get to meet Petey or Bernadette
who often hang out in the store.)
Lou Lou's also sells items that helps animals,
like chocolate bars to save endangered species,
Healthy Planet greeting cards, and "elephant
art." These are paintings created by a rescued
elephant named Susie, "who actually likes it
when you give her a paintbrush," explains
Francoise. "She just moves it around the canvas
with her trunk. She's also available to create
commissioned paintings to your color
specifications. Susie is with another elephant
named Butch at the Elephants of Africa Rescue
Society in Acton, which adopts elephants in the
US. Butch came from a defunct children's zoo on
the east coast, where he was abandoned in a
field and starved to death. Plus he had been
de-trunked and castrated. But now he's got a
home with this wonderful rescue. 100% of the
proceeds from Susie's art goes to help this
rescue and to help researchers in Africa."
Eric Balfour's life is filled with more than
just animals. There's his acting as well as his
music. "It just so happens that I have been
introduced to these animals and it's given me an
outlook to help make a difference."
Readers of The Pet Press can also make a
difference. Eric says, "first of all, spay and
neuter your animals. Next, if you're going to
buy a dog, which I don't think you should
because there are so many dogs that need homes…
if you can afford to buy one and can spend that
money, you can afford to ADOPT one and have a
second one as well. That should become a
mandated rule. Last, get involved. You'll enjoy
it. Go to The Brittany Foundation on Sundays.
Volunteer for the Pets In The Hood program. Go
to the dog park. You'll have fun. Play with the
animals. That's what happened to me. It's a
really fun thing to do in your community. It's
surprising how helping and working with animals
can bring you fulfillment. When you help a dog
it's just as good as helping a person. I'm the
example of someone who didn't know how great it
could be to be an animal lover… until I finally
had one. I guess that makes me a born again
animal lover!"
(Watch for Eric Balfour on Fox TV's 24, Tuesdays
at 9pm, and on the new season of Six Feet Under
which returns to HBO on March 3rd. To help the
animals, stop by Lou Lou at 5905 Franklin Ave.
in Hollywood, where you can also find out about
appearances by Eric's band Fredalba
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